Monday, December 17, 2012

May 18 - Gallery Talk


…As shifting forms become clarified through studious and critical practice, the viewer is left with a summary of the inaccuracies of existence.

Bullshit.

The high white walls of a defunct factory make the small, black-and-white description shrink into an idiotic footnote to a piece of art that, in reality, constitutes a mess of swirling colors that does not in fact become clarified through studious and critical practice.  She skims some more text on the ephemeral nature of the human condition being represented in the conflict between red and blue.  Dominant and passive forever in conflict.  Jealousy being the sublimation of sexual desire (Although that one seemed legit, she had heard about it in Psych 101.  Or maybe an English class.  Somewhere reputable anyway).
“What do you think?”
She turned around.  A thoroughly nondescript man stood.  Was there something in the curl of his lip?  She couldn’t remember now.  For now, let’s say he stood. Simply that.  She doesn’t look at him.
“I don’t know.”
“Come on. You think something.  Everybody does.”
He moved a few steps to her side.  He looks up at her.  She’s not that tall. 
“I think the description’s interesting.”
“Don’t look at the description.  Everybody does.”
“Where do I look?”
“At the art.”
She looks.  It’s red and blue.  And probably bullshit. 
“It combines emerging sexuality and UFO sightings.”
He laughs in response.
“That’s where you’re going?”
“Sure.  Why not?”
“It’s about Jesus.”
She looks again for the cruciform.  All she sees is a beam of light and a confusion of squiggles.
“It’s not about Jesus.”
“How do you know?”
“I know.”
“You don’t know.  No body does.”
Who is this guy? “Who are you?”
“Come to lunch with me.  The cafĂ© has good sandwiches.  We’ll get coffee.”
“I don’t know you.”
“Get to know me.”
“Does this ever work for you?”
“Rarely.”
“Why try it then?”
“Because I got you to look at the art. And you seem nice. And life is short.”
She says nothing.
“And I’m an idiot.” He finishes.

She does not go to lunch with him.  This is probably smart.  There was definitely something in his eye.   At least there was in the newspaper the next morning.  He slashed a cross in bright green into “Subliminal, Extraterrestrial, Chrystalization”

Sunday, December 9, 2012

May 17 - Memory Games

Finding anything useful in your mind is like playing a game of memory.  I suppose you must think it's no fun to cary only a few things, so one is forced to sort through a baffling set of cards to find a damn thing.
Flute to flute.
Pumpkin to pumpkin.
Crab apple to crab apple.
A pair of key limes to pair...
Ah!  Your favorite.  A mandarin orange with an open mouthed grin scrawled on it in inedible black ink.  Now where's it's mate?
And a eureka lemon with it's smiling mouth fully cut out.  it leaks and stings.  What is this tied to?

Are you playing with me?  Making this too difficult?
How can you find anything.

"One can never have too many fruits on hand"

May 16 - Edward Sharp and Ophelia's MillhavenS Paint Adventure


Jade, the girl of the hour, plays a silly refrain on a flute at the beginning of the act before examining her reminders.

White the shroud of mountain snow.
That's to pack for this weekend.  She skis with her family when she can be bothered to be one of them.  Often she considers squealing like a pig and fertilizing the plants in the green house. Then she remembers the green turf at the head of the mountain and the stones below and the memories of childhood buried within.
Larded all with sweet flowers;
This one she braided with a friend to remember a special night at camp when... well... the string is there to remind her so that she does not have to speak her remembrances.  The string, beaded with flowers, suffices.

Tomorrow is St. Valentines day - that's the red - and below it on her ring finger is kept a one, a scrap, touched by the boy she'll follow home tomorrow.
One drunken party, he thew on the costume of the night, and opened the door to her, a child.  A child didn't leave.
He would be her Valentine if she hadn't gone in.

Now she stalks the halls like an old gypsy woman, insisting she's a girl, and they part the ways, like the red sea before moses, marking her with their scarlet ink as a woman undeserving of their attention but allowing all she asks.

She followed the boy home.
If you come around then just as the sun goes down, you can watch the whole thing turn to gold, said a man who came to town from a southern island continent with the hair of a car salesman and the voice of a fallen angel.
And she left again.  Singing:
They bore him barefaced on the bier,
Hey, non nonny, nonny, hey, nonny,
And in his grave rained many a tear.
And she tied a black string around the ring finger.  So many things to remember...

Monday, November 26, 2012

May 15 - Pineing

I love you most when I am not with you.

I love the pineing for your company, true.
But, more important, I love the way I have filled in the gaps of your life.  What I do not know, I make up.  This suits me best.  To love a man I do not truly know but believe I understand.

May 14 - Woes of an Insomniac

To sit in solemn silence

is an enviable thing...

Friday, November 23, 2012

May 13 - War

When she enters the room, she is greeted by reminders of destruction.
Above the window, a reproduction of Guernica dominates a space that should not even be visible.  A photo of Bikini Atoll hides in the peripheral vision of anyone who sits at the desk.
What a place to work.
Constantly reminded of how quickly the decision to kill an entire town or an entire island can be made.

Sunday, November 18, 2012

May 12 - Your's

She fucks like Roma's best.
Cafe au lait when you wake -
a cigarette if that's your thing.

Waiting for someone to remember
fondly.

May 11 - Chickens

Chickens out-number humans 3+:1.
There are 24 billion of them.

I look at their beady little eyes in a new light now.
They all look the same.  An ocean of shiny, emotionless pin heads.
I see them pecking me to death with no remorse.

May 10 - Untitled

I saw men and women - equal without power - wandering the streets, dead and dying phones, tablets, and computers in hand.
Lost, so lost.
They looked up at the sky for the first time in years, finally untethered.
And saw the grey.  the same grey as the side walk they were so accustomed to.
They could have seen what they were missing...

God plays cruel tricks.

May 9 - Aftermath

In some places, the storm fostered brotherhood.
Friendly neighbors ran extension cords and power strips, offering passers by a place to charge up.
In that age, we do not know what to do without electricity.
We do not know how to use a dictionary or an encyclopedia.
We are lost in this darkness.
But, as I said, in some this storm fostered brotherhood.
They helped where they could have hoarded.
Asking nothing in return.

May 8 - prayer

Scrawled on the wall was an invocation -
OH Great GOD of power
OH Great GOD of Light
OH Great GOD of GAS
OH CON-ED; OH CON-ED
WHERE HAS ALL THE Power FLED?
- in a child's sacrificial blood.

May 7 - Judgement Week

Nothing is quite so damaging as boredom.
With nothing to direct our attentions, we turn to each other.
and judge.
and find our company lacking.

May 6 - Setting

The grocery stores look like movie sets for post apocalyptic stories.
Signs - like the 70s - proclaim No GAS at every turn

And windows flicker with candles.
         Everywhere it is Diwali.
         We celebrate light like never before.

May 5 - Baptism

A flood came.
Like a baptism for new earth
It christened a new region of Manhattan: SoPo (south of power)
and a new age - one of shortage and anger

May 4 - Clouds

The clouds will not leave.
The sky taunts us in the mornings, showing glimpses of blue and even white cloud cover
It teases us with a break in the grey
But the clouds do not leave
They stay.  Menacing, with the idea of more rain about them.

May 3 - Romanticism

It's Romantic...
Storm and stress.  Sandy and college applications.  Certain English poets whom she idolizes would be proud.  Not fully remembering the Romantic movement from sophomore english and history, she declines to say which ones.
She reads Puritan religious epics, a gay fantasia on national themes, social psychology.  All by candle light.  She marvels that it can be colder inside the house than outside.
(in a fit of madness, she throws her windows open and shouts King Lear into the storm)
Roy was right; life is some crazy sandstorm in space.  It attacks from every angle and it rips you to bits.
Sand Storm: sandy storm; storm, sandy; hurricane sandy.
A metaphor more apt than ever she cleverly thinks.

She is very alone.  And possibly drunk.
on what she does not know.

May 2 - Dawn

For warmth, she curls up next to a man she does not know.  They met here.  In this abandoned husk of a house.
He put his arms around her as she began to cry, not knowing he wanted nothing more than the warmth of another.
He is sick but not catching.  She is alone.  So he tells her of his family (who are gone) and of his journey (which will not end).  They share a birthday candle for warmth.
7.  The number of days since the electricity fled. They think.  Who really knows... no one seems to care.  They have accepted a week long hurrication.  It will be Monday when they return.
Monday of a new year and a new age.

Monday, November 5, 2012

May 1 - Running North

So many escaped north before the storm.
The roads were bumper to bumper for miles.
Then something Snapped.
The rules broke down.
Cars began to move.
Knowing no one would stop them from doing wrong.

April 30 - Last day of April

The showers came.
No flowers seem to follow.

April 29 - Man at Train Station

Lost, a man stands at the train station and lights a cigarette.
He wears old jeans and a Yale sweatshirt.
He looks North.
No train comes.
He stands, smoking, hoping for a reprieve from his dark, cold, listless life and home.

April 28 - Fights

No one knows when it erupted.  Fisticuffs over gasoline.
Stations all around are empty - men congregate there in baseball caps and workboots because there's coffee and they have no where left to go - of gas.
All I know: there was a fight.
Two men in suits, insisting on driving to a obsolete job, fought.  Over the last few gallons.  Or over a spot in line.  or nothing at all.

April 27 - Falling Stars

The stars fell.
When the storm came that took our light, it took the sky with it.
Clouds came, and did not go.
For weeks, they hang over us.

And the stars I brought home from a tropical world - the kind that sees and weathers this storm all the time - stopped shining

There was nothing to keep them lit.

April 26 - Address and Note

5999 Green Towers, 
Smalltown, Connecticut, 
06895-9926

I am told that there is someone who will help us here.
I begin my journey into night.
Come what may, I will return before the power.
Oh great god of power, oh great god of light, oh great god of gas, oh Con-Ed.  Oh Con-Ed.  Where has all the power fled?
IDOLATERS

If it comes back before me, it will not stay for long.  It will be ephemeral.
It will brake down like out love when exposed to high wind

April 25 - Note from and Old Show

 - A pickle was left on the scrim

I think you must be first informed that this wasn't really scrim.  It's what our director calls scrim.  In reality, it's essentially Black Cheese Cloth.
And this note was made because an actress tossed this pickle aside because she didn't have time to eat a pickle that she was given by her "little brother".  She was meant to eat it.  But she couldn't.  The transition wasn't really long enough and no one can eat a whole pickle quickly.
So it sat.
Until the Scrim needed to be used,
and another actor, using the scrim, flung the pickle into center stage.  Where it remained,
for the run of the rehearsal

silly pickle.

April 24 - Beatrice

light of my light
star of my stars
It once was quoted to me by someone dear.  Not at me.  I am no one's Beatrice.  I writhe, wandering, unable to rest, in the pits of Inferno.  I am not Beatrice.  Not to this man and not to you.
But she still speaks to us - is forced on us - though Dante is long dead and she may not even have lived.  Light of my Light, Star of my Stars.  She shines before the poet.  Temptress of kleos and life eternal.

April 23 - almost blackout

And suddenly the world was small
Made so by a storm - winds (gales) and rains (torrents) - unlabelable and unlabeled
As day faded into night we watched the lights flicker
We waited for them to die
As one by one our connections to the modern world fall
We watched branches lash the windows and the walls; they fell in some places
And the world was small
reduced to this room, to these books, and to our company

this is when we knew
we are impermanent
our connection as tenuous as the phone lines and Internet

Monday, October 29, 2012

April 22 - Rejections and Reflections

Whom we reflect and reject must shape us.

So says a teacher of mine.

He says that we are ultimately either a reflection or rejection of our parents.  Of what worked and what didn't.
So then how must we think of the people we don't like.
Are they a reflection of their parents?  Dispositionally dislikable?
Or are they a rejection?  Situationally pitiable?

What does it say about us?  Do we dislike or do we pity?  Are they the same?

April 21 - Parenting

Every parent must make mistakes or we would have nothing to throw off, saying "I will never do this thing"
Every parent must make their child self-conscious, must make them afraid, must make them wish always to be elsewhere.

This is the only justification I have come up with.

April 20 - Numerology

On this blog, there are 367 days in a year.
2012 was and a leap year, so that accounts for one extra day.  But I do not know where this 367th day is from.  I am at a loss.
I consider myself good at counting, so I will not attribute this magical, extra day to an inability to enumerate.  At least not yet.  That is too concerning a prospect.  I have lost many things, most memorably a black glass marble that I had when I was very young, but I have not lost my mind.

So this concerns me.  But not enough.  Perhaps I have created my own kind of year.  I am not a mathematician after all.  So it does not particularly concern me that there are 367 days in a year of writing.  Perhaps the world will catch up to me.  And perhaps it will add a final day of rest.  To breathe and reflect.  To wrap up the things it needs to finish.  Without concerning itself over trivial things like counting.

April 19 - Storms

There is no mark of rain on the window, but I am told it is raining.
It just looks like there is fog moving through very quickly.  Racing to get somewhere that isn't here.  With winds blowing from it seems like all angles.  Our neighbor's weather vane is very confused.  It spins in lost circles on their rooftop, with a frantic look in its eye that makes it seem like it's pathetic little iron claws have gripped tighter in the sandy winds that come from elsewhere.
If I turn of the music, I do not even hear rain.  Only the wind.  And an ominous creaking....

April 18 - Tech Week Fragment

- So much begins with a baby and a dog.
- chuckles
- Really!  So much can begin with a baby and a dog...

Thursday, October 25, 2012

April 17 - Fire on the Mountain

Was this Prometheus's fire?  The first to light the torches of prehistoric man?
This red flicker in a cloud of sulfurous smoke, who did it tempt to defy the gods?  Who first burned a bundle of sticks?  Was it this volcanic hide away?  an outcropping only slightly larger than the rest around it?  or another - equally tempting - portal to the center of the earth

April 16 - Inspiration

Shouldn't I be inspired by this?
The warmth of earth's core is seeping up through a crack in her crust,
pitching sulfur smoke into the night,
Fiery red against the dark form of a mountain outlined and given shape by the light of a full moon.  With a fleet of yachts and ships all turning their noses like devotees of some classical heathen faith wiped out by the hammers of Constantine and Byzantium and the papacy, pointing their noses away from their prescribed courses: HERE
To a volcano.

Should I not be Inspired?
Perhaps I should simply be content.

April 15 - Love Without Reason

Never has anyone brought me such joy - and I have few reasons to be happy - as you.  One smile and I am over the moon.  I am awake near you.  And I am writing this at 5 in the morning.  And it confuses me.

April 14 - Language

Language is a virus
It erupted at Babel and continued.
Spreading.
Across the earth.

Bringing all it's complexities and difficulties with it.

Speaking is hard,
they say listening is harder.
But understanding is hardest.
And you speak in a language so foreign to me,
I am lost.

Friday, October 12, 2012

April 13 - Canto XXIII.5

I had to write my own canto of The Inferno for my english class.  This is what followed.

In that spell of the summer

when Jupiter exalts a change in season
and the days drag on in the heat that lasts long into the night,

when the rolling hills look to the sun
to make the image of its surface on their faces –
his image soon makes bare earth of fertile fields –

the men of country will look to the heavy blue sky
and point to the faintest wisp of cloud
knowing a storm will soon be upon them

discerning the hint of grey, they hurry back indoors –
how they grumble at all the things they meant to do with this time! –
to wait out the still hidden storm.

What science they practice on those blue skies
eludes those men who do not breath the air beneath them.
Indeed, soon the dark clouds roll across the horizon,

accompanied by the roar of lightning,
to douse the land and mark the rise of a water sign,
only to leave as quickly as it sprung upon the country.

In such a way was my master’s face darkened
by the words of those heavy, gilded men as I followed
his esteemed footsteps in the direction of the next along our route.

As we walked, a sound accosted my ears
like the great lungs of a giant
sighing as though afflicted with a grave sadness.

And I said to my leader:  “Master, what is the source
of this noise so different from the other sounds of Hell?”
Thus he said to me: “Wait, and you will see.”

Surmounting the ridge, a sight met my eyes
unlike any I had yet seen
on this infernal voyage.

We came upon a massive kettle lake
with acrid, saline steam rising from it’s roiling surface.
In this vast sea, we saw new faces both grinning and sobbing.

The swimmers tossed upon the boiling waves
pulled down by an unseen force, as if they fainted
when they reached the surface.

Tears streamed from the eyes of some,
feeding the waters so that their level did not diminish
in spite of the steam that rubbed raw the faces of my master and I.

Others were forced into a grotesque grin
by the devils flying above who caught their cheeks in their hooked hands
and tore them, sharpening the water with their blood.

“Master,” I asked, “what souls are here cooked?
What have they done to make cry and sigh so?
And what sin have those who are forced to grin committed?”

“These are those who in life who, either with tears or smiling,
forced others to their will by feigning sacrifice.
The ones who grin are those who cheerfully gave others the knife

asking them to attack and by doing so forced them not to.
The ones who cry are those who sacrificed with sighs and fainting,
who by doing so seemed pathetic and beguiled the pity of their friends.”

As my master explained, one sinner found her way to the bank
reaching for my hem as tears made her eyes
into a picture of the place in which she was punished.

A rasping sigh escaped her mouth, like the hiss of a serpent.
as she was pulled back by an unseen power, I kicked away her hands and
the long tendrils of her hair continue the quest of her hands from moments ago.

“Can we not speak to these sinners?” I asked my guide.
“They cannot speak to us.  They are deprived of the thing by which they
defrauded those who loved them, leaving them only to sigh as you see they do.”

Anonymous and disfigured as these condemned souls were,
I could not discern a face among the many;
nor could I discern station, family, or profession.

“Is there any you can pick out?” I pleaded to my master
“There are so many, surely you know one.”
Said he: “I will try, as you say there are many and they dart in and out of view”

As he scanned the seething multitudes,
one was pulled by the left cheek into the air,
just as quickly, she flailing and bloodied returned to the waters.

“That!” cried my master “did you see she who fell so recently?
She was one who played her games on her children,
so that they could not tell her suffering from that of St. Perpetua or St. Felicitas.

‘Cheerfully, she told her children of her burdens
describing her sacrifice in detail that she made for her joys.
As they cried for her, she opened her arms and bathed in their tears.

‘Here, she bathes in true suffering.  Condemned
to wear that smile for eternity.  The same one she flashed before her cult
she now has carved into her cheeks by the devils here.”

“That one whose hair reached out like a thousand hands behind her,
I believe I recognize her.  Know you her story?”
I asked, watching in dread of her return.

“I did not see her, but I know the one you describe.
She was a false friend to many who cared deeply for her.
She deceived them, giving them the knife and the power to dig it in.

‘She refused to express her desires, instead coding her meaning and leaving it to be found
and was disappointed when no one cared to find it.
She played upon the hearts of her friends, and caused them great pain.”

“I am glad, then, that I kicked her away.”
I responded, turning my eyes from the pool,
“I have known too many like her that I do not want to meet another.”

At this my guide smiled, the darkness long banished from his visage.
“Come,” he said “we have many more to see,
these here do not merit any more of our concern.”

The descent to the next pocket was not one for those weakened
either by sin or by boiling.  I clambered down the ridge,
leaving those souls who overburden themselves
following the path beat before me by pious heroes and by my esteemed master.

April 12 - Arena

Megaphone melodies of indoctrinating cheer erupt across a too tidy turf, bringing false bravura to a losing team accustomed to destruction. Sporting events seem sharp.  They cut, angrily, at the ears of spectators, oblivious to the contract they have signed in the blood of the fallen.

April 11 - Sound Check

Microphone melodies, tinny, sing through a theater late on rehearsal day.  Meaningless strings of speech testing levels to an exactitude that only the sound tech can parse.  To Nova, they are a megaphone.  Each one screaming a new song that accosts her ears like city folk.  She cowers.  Wishing the counting would stop.

April 10 - Untitled, Waiting Room

This is killing me, killing time.
Waiting.

She is the kind of person with the propensity for getting somewhere early enough that she must wait, but not so early that she can use the time to get useful work done. Perhaps these are the 20 minutes allotted to every compulsively early human for useless work.  She wishes she had brought a book.  Not the one she reads for school, but the one she is stealing time to read.  She should be applying to college.  but she forgot all these things and so is left waiting.  Awkward.

Wednesday, October 10, 2012

April 9 - Nonesuch River

fly away
She  needs a stream to find sunny early dark
trees and runs hidden in the forest
the child of my youth is dancing like the gods compel it

Run if I splash
somebody sang a caryatid.
silly of you. 

April 8 - Gothic Mood 1

Slender beams of sunlight enter
this darkened church as I kneel,
always somber, always lost,
frozen here,
waiting.

Haloed forms wrought in panes of glass loom as
dust dances in the air,
forming an image in my mind,
of my naked outstretched arms.

A reflection on a lover's face.

I raise my head, now submitting to
this aloof light.

April 7 - The Wrong College

Your smile is too sunny.
You're new here, I can tell.

The weight of knowledge hasn't crushed you yet.

April 6 - Grey New Gloustchester

creep homeward
I gave up here or now to need a damp too early summer
white is hiding
and her golden nymph is cold like a swarm of locusts

You would jump if I lose my way
somebody bet a beret clad pseudo-writer
kind of you to tell me...

April 5 - Lovers

She calls her love a heresy.
I just call it filthy.

She says she is a rebel against the norm.
I think she's just asking us to notice her thoroughly abnormal relationship with a man that does not love her enough to fight with her.

She says it's perfect.
I say it's incomplete.

April 4 - Untitled, prompted

Never got a flower.
Never loved a car.

He asks himself every day why he moved for a soul crushing job into the noisy den of chrome spectres and stony angels, women too perfect to be lusted after and too imperfect to be idolized. He contemplates throwing himself through a plate glass window into the street below, but knows it would not make the scene he wants to see.  the Spectre and the Angel, representative, would kick his body out of their way and wait for someone else to clean it up.

March 29 - old coast


Courage is a old seashell.
Beaten into a sandy shore
unencumbered by its own desires
but staying steady.

Rise calmly like a old sun,
Never desire a gull to call your name

March 28 - In the City


The grimy hood calmly fights the driver.
Action, exhaustion, and work.
Walk calmly like a jackhammer.
Find your way through the mess of people.
Men and women shop.
Why stop for one another?

Monday, October 8, 2012

March 27 - Appreciate the Silence

Do we appreciate the silence of a blank page?  The noteless lines, and what opportunities they present?


































No.  We must fill them with that colorful noise of penmanship we call writing; forever to hurried to engage with the question:  must we destroy a multitude of potential messages to write this banality down?

March 26 - Filling in the Blanks

When I began this process, I started by making as many pages as I could before Google accused me of being a robot.  Titles blank but for the date their posts would symbolically represent.  In January, I could not say what I might post in March.  Now that it is October, I still cannot say what I will post on certain days in March.
I unearthed something old and new, borrowed and blue (to end this grand task I may as well mary my damn blog, which I will soon be able to do if marriage equality detractors are capable of any kind of prescience).  I am a fill in the blank writer, working for no reason but my own to mar a perfectly good blank page.

March 25 - Falling

I do not fall.
I have never fallen,

I simply pitch myself toward the center,
Where Dante says the Devil lives furthest from God's Graces,
Toward Pandemonium.

It is intentional.
Therefore I do not fall.

March 24 - Caryatid

Caryatid girl who insists on bearing the lintels of other peoples broken homes, step down step down.

Or so I'd like to call

But you do not caryatid yourself.
You cut off your hair long ago in a misguided attack on your femininity that came in the wake of your older brother growing his hair out out of neglect and overdosing on self-hatred and academia.
You bear your stone.  But Athens does not want you.  Georgia sends you away.

March 23 - Untitled, Road Trip

The sign told us: When Fog on Mountain, Be Alert and Drive Slowly.  We whipped past it.  You were not aware of the sign
      - Reading while I'm driving makes me sick.
Well fine.  I'll do the reading for both of us.  There wasn't a comma on the sign.  I added it for you because commas drive you nuts.  Not when they're misused but when they're used at all.  You speak at a pauseless clip.  You only use the period (which I'll admit deserves some love as a sign of punctuation anyway) and God Forbid a comma appear in your way.  Some grammarian must have traumatized you in grade school.  I have never seen you so angry at Word as when it insists on adding one.  Even Clippy is a more welcome sight than the green squiggle that alerts you to a mistake of usage.
But this is the kind of sign you would have heeded.  This sign without punctuation should appear a welcome sight after three hours on the road which is too much for you.  But since you care so little for our saftey, I think it best that it be the kind of sign that does you in.

March 22 - Confessional

I wrote this for a writing competition.  It was not selected to continue.  I therefore post it here.

FEMALE VOICE:  should be very even.  No matter what she says, she should maintain the same calm, soft tone.
MALE VOICE:  the man in the room. 
ANNA - girlfriend of MAN

Confessional  

[Int.  Dark Room]

We hear a steady beating similar to a heartbeat.

FEMALE VOICE:
You find yourself in a room.

Beat continues.

MALE VOICE:
[Groan]

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
[Groan]

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Ok!  I get it!  I find myself in a room.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Ok.  I’m in a room.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
I’M IN A ROOM! I CAN SEE THAT!  What do you want me to do about it?

FEMALE VOICE:
The room is programed to respond to many human generated commands.  Try something.

We hear the sounds of MAN fighting against something.  Feet scuffle, he grunts.

MALE VOICE:
Release bonds?

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Turn on light?

Click.  Beat becomes softer.

MALE VOICE:
Can you tell me what I can do?

FEMALE VOICE:
This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Move?

Sounds of something moving along a track. Sound stops.

MALE VOICE:
Look at bed?

Sounds of something moving along a track.  Sound stops.

MALE VOICE:
It’s a bed.  Can you tell me why I’m strapped down like this?

FEMALE VOICE:
No.

MALE VOICE:
Can you tell me what I’m supposed to be doing?

FEMALE VOICE:
Leaving.

MALE VOICE:
My goal is to get out of here?

FEMALE VOICE:
Yes.

MALE VOICE:
So release me.

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Can I ask you questions?

FEMALE VOICE:
The room cannot guarantee answers.

MALE VOICE:
Fantastic.  Why is there a bed?

FEMALE VOICE:
For you to look at.

MALE VOICE:
That’s it?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
Does anything in this room have a purpose?

FEMALE VOICE:
The room and surroundings are here for your exploration.  Your goal is to escape.

MALE VOICE:
Escape?  You said leave before.

FEMALE VOICE:
The room and surroundings are here for your exploration.  Your goal is to escape.

MALE VOICE:
Ok.  Explore bed.

Fabric rustles and we hear gears turning.  Beat stops abruptly.  A phone rings and is answered.

ANNA:
I’ve had enough of this!

MALE VOICE:
Wait this is what “explore” does?

ANNA:
Either you commit or you end this.  You come home late, you don’t tell me where you go, you disappear for days, you lie…

MALE VOICE [interrupting]:
 What happened to her wasn’t my fault!

ANNA:
Fine, fine.  Leave me hanging.  Don’t…

MALE VOICE [interrupting]:
End this!

Beat resumes where it left off.

MALE VOICE:
She killed herself. I had nothing to do with that!

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Are you trying to punish me?

FEMALE VOICE:
Do you need punishing?

MALE VOICE:
I had nothing to do with her death.

FEMALE VOICE:
Really?

MALE VOICE:
I mean I don’t know.  I didn’t pull the trigger.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Way to change the subject.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
I’m not looking at the bed again.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Do I have to explore?

FEMALE VOICE:
You have to escape.

MALE VOICE:
Find exit.

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
I suppose it wouldn’t be that easy.  Fine [pause].  Look at chest.

Sounds of something moving along a track.  Sound stops.

MALE VOICE:
Explore chest.

FEMALE VOICE:
Chest cannot be opened.  It is locked.

MALE VOICE:
How do you open the chest?

FEMALE VOICE:
How do you open a chest?

MALE VOICE:
Shit, I don’t know; I don’t try to open chests very often. What do I need?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
What are the contents of this room?

FEMALE VOICE:
In this room are a chest, a bed, a lock, blankets, a doll, and a key.

MALE VOICE:
Where is the key?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
Look at bed?

Sounds of something moving along a track.  Sound stops.

FEMALE VOICE:
You are looking at the bed.

MALE VOICE:
I don’t see a key.
[Pause]
Look under bed?

Thunk.

MALE VOICE [cont.]
[grunt]
Key!  Uh… take key.

Sound of something metallic sliding across the floor.

MALE VOICE [cont.]:
Unlock chest?

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
What do you mean?

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
Has anyone ever told you how frustrating you are?

FEMALE VOICE:
Many.

MALE VOICE:
Wait, many?  How many?

FEMALE VOICE:
This program has been running for 420,030,360.534460 minutes.

MALE VOICE:
Holy crap.

FEMALE VOICE:
Are you going to do something with that key?

MALE VOICE:
I tried “Unlock Chest” but you said that wasn’t permitted.

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
Take me to the Chest!

Sounds of something moving along a track.  Sounds stop.

MALE VOICE [cont.]:
Oh.  [pause] Open chest?

Lock opens with a heavy clunk.

FEMALE VOICE:
The chest is open.

MALE VOICE:
Thanks.  What now?

FEMALE VOICE:
Question not recognized.  This room is programed to –

MALE VOICE:
I GET IT!  [Pause]  What’s in the chest?

FEMALE VOICE:
Blankets.

MALE VOICE:
Explore chest?

Rain lashes a window.

MALE VOICE:
Where am I?

A woman cries.

MALE VOICE:
Anna?

FEMALE VOICE:
[Sniffling]
Steven?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
Of course I am. 

MALE VOICE:
You’re not.  You’re that computer.

FEMALE VOICE:
Are we that different?  To you?

MALE VOICE:
I told you already, I had nothing to do with her suicide.

FEMALE VOICE:
Nothing?  Nothing at all?

MALE VOICE:
You’re not Anna and you’re not God. I don’t have to defend myself to you.

FEMALE VOICE:
Are you sure?

MALE VOICE:
You’re not God, are you?

FEMALE VOICE:
How would you distinguish?

MALE VOICE:
This is silly; I’m going to find the door.

FEMALE VOICE:
Are you?

MALE VOICE:
Yes.

We hear a man walking on a wood floor.  These steps slow and morph into the sounds of wheels moving along tracks.

MALE VOICE [cont.]:
What are you doing to me?

FEMALE VOICE:
Answer the question.

MALE VOICE:
What question?

The heartbeat picks up again.  It should increase in intensity throughout the next exchange.

FEMALE VOICE:
Why are you here?

MALE VOICE:
You tell me!  I have no idea why I’m here!

FEMALE VOICE:
Really?

MALE VOICE:
Really!  Anna shot herself.  I had nothing to do with that.

FEMALE VOICE:
Then how do you know what the weather was like?  Why do you have a memory of being with her that night?  Why do you know what the key looks like?

MALE VOICE:
What key!

FEMALE VOICE:
Look around the room, Steven.  This room is familiar to you.  Right down to the doll.

MALE VOICE:
What doll?

FEMALE VOICE:
Question not recognized -

MALE VOICE
Of course the question is recognized! We’re having a fucking conversation!  You can understand me. [Pause, heavy breathing]  Look at doll!

Sounds of something rotating on a track.

MALE VOICE [cont.]:
Oh god.

FEMALE VOICE:
You find yourself in a room.  Your goal is to escape.  Proceed.

MALE VOICE:
How did you make a doll to look like her?

FEMALE VOICE:
[slightly louder]
Proceed

MALE VOICE:
With the hair… and the…

FEMALE VOICE:
[Slightly louder]
Proceed.

MALE VOICE:
… The gun… and…

FEMALE VOICE:
[Slightly louder]
Proceed.

MALE VOICE:
The blood.

FEMALE VOICE:
[Loudest]
PROCEED.

MALE VOICE:
I’m not sorry.  I didn’t do anything.  I didn’t pull the trigger!

FEMALE VOICE:
You didn’t.

MALE VOICE:
No.

FEMALE VOICE:
It’s funny how the human brain tricks itself. You played the game in exactly the same way.

MALE VOICE:
What do you mean?

FEMALE VOICE:
You took her to the bed first, didn’t you?

MALE VOICE:
What are you saying?

FEMALE VOICE:
That’s how you solve your problems Steven.  You know that.  You take her to the bed first.  Then you find the key.  You knew exactly where to look, didn’t you?  Then you unlock the chest.  You explore.  What do you find?  A woman. Terrified.  What do you do?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
How do you know that?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
You leave.  You left me.

MALE VOICE:
You are not Anna.

FEMALE VOICE:
With a gun in my hand.

MALE VOICE:
I didn’t.

FEMALE VOICE:
You did.  You left me alone.  You put the gun in my hand.  You did.

MALE VOICE:
I didn’t pull the trigger.

FEMALE VOICE:
Where are you?

MALE VOICE:
I’m in a room.

FEMALE VOICE:
Are you?

A chest rattles on the ground.  The MAN is inside.

MALE VOICE:
What have you done?

FEMALE VOICE:
Nothing.  Nothing at all.  You however, have turned on the tap.

The sound of water rushing.

MALE VOICE:
How?

FEMALE VOICE:
It’s not my fault there’s a very sensitive button behind this chest.  Your rocking triggered it.

MALE VOICE:
No, you are complicit in this!

FEMALE VOICE:
I didn’t do anything.  You pulled the trigger on yourself.  Just like Anna.

MALE VOICE:
Help!  Help! Hel-

The last line is garbled. 
The heartbeat flat lines.

[END]