Monday, October 29, 2012

April 22 - Rejections and Reflections

Whom we reflect and reject must shape us.

So says a teacher of mine.

He says that we are ultimately either a reflection or rejection of our parents.  Of what worked and what didn't.
So then how must we think of the people we don't like.
Are they a reflection of their parents?  Dispositionally dislikable?
Or are they a rejection?  Situationally pitiable?

What does it say about us?  Do we dislike or do we pity?  Are they the same?

April 21 - Parenting

Every parent must make mistakes or we would have nothing to throw off, saying "I will never do this thing"
Every parent must make their child self-conscious, must make them afraid, must make them wish always to be elsewhere.

This is the only justification I have come up with.

April 20 - Numerology

On this blog, there are 367 days in a year.
2012 was and a leap year, so that accounts for one extra day.  But I do not know where this 367th day is from.  I am at a loss.
I consider myself good at counting, so I will not attribute this magical, extra day to an inability to enumerate.  At least not yet.  That is too concerning a prospect.  I have lost many things, most memorably a black glass marble that I had when I was very young, but I have not lost my mind.

So this concerns me.  But not enough.  Perhaps I have created my own kind of year.  I am not a mathematician after all.  So it does not particularly concern me that there are 367 days in a year of writing.  Perhaps the world will catch up to me.  And perhaps it will add a final day of rest.  To breathe and reflect.  To wrap up the things it needs to finish.  Without concerning itself over trivial things like counting.

April 19 - Storms

There is no mark of rain on the window, but I am told it is raining.
It just looks like there is fog moving through very quickly.  Racing to get somewhere that isn't here.  With winds blowing from it seems like all angles.  Our neighbor's weather vane is very confused.  It spins in lost circles on their rooftop, with a frantic look in its eye that makes it seem like it's pathetic little iron claws have gripped tighter in the sandy winds that come from elsewhere.
If I turn of the music, I do not even hear rain.  Only the wind.  And an ominous creaking....

April 18 - Tech Week Fragment

- So much begins with a baby and a dog.
- chuckles
- Really!  So much can begin with a baby and a dog...

Thursday, October 25, 2012

April 17 - Fire on the Mountain

Was this Prometheus's fire?  The first to light the torches of prehistoric man?
This red flicker in a cloud of sulfurous smoke, who did it tempt to defy the gods?  Who first burned a bundle of sticks?  Was it this volcanic hide away?  an outcropping only slightly larger than the rest around it?  or another - equally tempting - portal to the center of the earth

April 16 - Inspiration

Shouldn't I be inspired by this?
The warmth of earth's core is seeping up through a crack in her crust,
pitching sulfur smoke into the night,
Fiery red against the dark form of a mountain outlined and given shape by the light of a full moon.  With a fleet of yachts and ships all turning their noses like devotees of some classical heathen faith wiped out by the hammers of Constantine and Byzantium and the papacy, pointing their noses away from their prescribed courses: HERE
To a volcano.

Should I not be Inspired?
Perhaps I should simply be content.

April 15 - Love Without Reason

Never has anyone brought me such joy - and I have few reasons to be happy - as you.  One smile and I am over the moon.  I am awake near you.  And I am writing this at 5 in the morning.  And it confuses me.

April 14 - Language

Language is a virus
It erupted at Babel and continued.
Spreading.
Across the earth.

Bringing all it's complexities and difficulties with it.

Speaking is hard,
they say listening is harder.
But understanding is hardest.
And you speak in a language so foreign to me,
I am lost.

Friday, October 12, 2012

April 13 - Canto XXIII.5

I had to write my own canto of The Inferno for my english class.  This is what followed.

In that spell of the summer

when Jupiter exalts a change in season
and the days drag on in the heat that lasts long into the night,

when the rolling hills look to the sun
to make the image of its surface on their faces –
his image soon makes bare earth of fertile fields –

the men of country will look to the heavy blue sky
and point to the faintest wisp of cloud
knowing a storm will soon be upon them

discerning the hint of grey, they hurry back indoors –
how they grumble at all the things they meant to do with this time! –
to wait out the still hidden storm.

What science they practice on those blue skies
eludes those men who do not breath the air beneath them.
Indeed, soon the dark clouds roll across the horizon,

accompanied by the roar of lightning,
to douse the land and mark the rise of a water sign,
only to leave as quickly as it sprung upon the country.

In such a way was my master’s face darkened
by the words of those heavy, gilded men as I followed
his esteemed footsteps in the direction of the next along our route.

As we walked, a sound accosted my ears
like the great lungs of a giant
sighing as though afflicted with a grave sadness.

And I said to my leader:  “Master, what is the source
of this noise so different from the other sounds of Hell?”
Thus he said to me: “Wait, and you will see.”

Surmounting the ridge, a sight met my eyes
unlike any I had yet seen
on this infernal voyage.

We came upon a massive kettle lake
with acrid, saline steam rising from it’s roiling surface.
In this vast sea, we saw new faces both grinning and sobbing.

The swimmers tossed upon the boiling waves
pulled down by an unseen force, as if they fainted
when they reached the surface.

Tears streamed from the eyes of some,
feeding the waters so that their level did not diminish
in spite of the steam that rubbed raw the faces of my master and I.

Others were forced into a grotesque grin
by the devils flying above who caught their cheeks in their hooked hands
and tore them, sharpening the water with their blood.

“Master,” I asked, “what souls are here cooked?
What have they done to make cry and sigh so?
And what sin have those who are forced to grin committed?”

“These are those who in life who, either with tears or smiling,
forced others to their will by feigning sacrifice.
The ones who grin are those who cheerfully gave others the knife

asking them to attack and by doing so forced them not to.
The ones who cry are those who sacrificed with sighs and fainting,
who by doing so seemed pathetic and beguiled the pity of their friends.”

As my master explained, one sinner found her way to the bank
reaching for my hem as tears made her eyes
into a picture of the place in which she was punished.

A rasping sigh escaped her mouth, like the hiss of a serpent.
as she was pulled back by an unseen power, I kicked away her hands and
the long tendrils of her hair continue the quest of her hands from moments ago.

“Can we not speak to these sinners?” I asked my guide.
“They cannot speak to us.  They are deprived of the thing by which they
defrauded those who loved them, leaving them only to sigh as you see they do.”

Anonymous and disfigured as these condemned souls were,
I could not discern a face among the many;
nor could I discern station, family, or profession.

“Is there any you can pick out?” I pleaded to my master
“There are so many, surely you know one.”
Said he: “I will try, as you say there are many and they dart in and out of view”

As he scanned the seething multitudes,
one was pulled by the left cheek into the air,
just as quickly, she flailing and bloodied returned to the waters.

“That!” cried my master “did you see she who fell so recently?
She was one who played her games on her children,
so that they could not tell her suffering from that of St. Perpetua or St. Felicitas.

‘Cheerfully, she told her children of her burdens
describing her sacrifice in detail that she made for her joys.
As they cried for her, she opened her arms and bathed in their tears.

‘Here, she bathes in true suffering.  Condemned
to wear that smile for eternity.  The same one she flashed before her cult
she now has carved into her cheeks by the devils here.”

“That one whose hair reached out like a thousand hands behind her,
I believe I recognize her.  Know you her story?”
I asked, watching in dread of her return.

“I did not see her, but I know the one you describe.
She was a false friend to many who cared deeply for her.
She deceived them, giving them the knife and the power to dig it in.

‘She refused to express her desires, instead coding her meaning and leaving it to be found
and was disappointed when no one cared to find it.
She played upon the hearts of her friends, and caused them great pain.”

“I am glad, then, that I kicked her away.”
I responded, turning my eyes from the pool,
“I have known too many like her that I do not want to meet another.”

At this my guide smiled, the darkness long banished from his visage.
“Come,” he said “we have many more to see,
these here do not merit any more of our concern.”

The descent to the next pocket was not one for those weakened
either by sin or by boiling.  I clambered down the ridge,
leaving those souls who overburden themselves
following the path beat before me by pious heroes and by my esteemed master.

April 12 - Arena

Megaphone melodies of indoctrinating cheer erupt across a too tidy turf, bringing false bravura to a losing team accustomed to destruction. Sporting events seem sharp.  They cut, angrily, at the ears of spectators, oblivious to the contract they have signed in the blood of the fallen.

April 11 - Sound Check

Microphone melodies, tinny, sing through a theater late on rehearsal day.  Meaningless strings of speech testing levels to an exactitude that only the sound tech can parse.  To Nova, they are a megaphone.  Each one screaming a new song that accosts her ears like city folk.  She cowers.  Wishing the counting would stop.

April 10 - Untitled, Waiting Room

This is killing me, killing time.
Waiting.

She is the kind of person with the propensity for getting somewhere early enough that she must wait, but not so early that she can use the time to get useful work done. Perhaps these are the 20 minutes allotted to every compulsively early human for useless work.  She wishes she had brought a book.  Not the one she reads for school, but the one she is stealing time to read.  She should be applying to college.  but she forgot all these things and so is left waiting.  Awkward.

Wednesday, October 10, 2012

April 9 - Nonesuch River

fly away
She  needs a stream to find sunny early dark
trees and runs hidden in the forest
the child of my youth is dancing like the gods compel it

Run if I splash
somebody sang a caryatid.
silly of you. 

April 8 - Gothic Mood 1

Slender beams of sunlight enter
this darkened church as I kneel,
always somber, always lost,
frozen here,
waiting.

Haloed forms wrought in panes of glass loom as
dust dances in the air,
forming an image in my mind,
of my naked outstretched arms.

A reflection on a lover's face.

I raise my head, now submitting to
this aloof light.

April 7 - The Wrong College

Your smile is too sunny.
You're new here, I can tell.

The weight of knowledge hasn't crushed you yet.

April 6 - Grey New Gloustchester

creep homeward
I gave up here or now to need a damp too early summer
white is hiding
and her golden nymph is cold like a swarm of locusts

You would jump if I lose my way
somebody bet a beret clad pseudo-writer
kind of you to tell me...

April 5 - Lovers

She calls her love a heresy.
I just call it filthy.

She says she is a rebel against the norm.
I think she's just asking us to notice her thoroughly abnormal relationship with a man that does not love her enough to fight with her.

She says it's perfect.
I say it's incomplete.

April 4 - Untitled, prompted

Never got a flower.
Never loved a car.

He asks himself every day why he moved for a soul crushing job into the noisy den of chrome spectres and stony angels, women too perfect to be lusted after and too imperfect to be idolized. He contemplates throwing himself through a plate glass window into the street below, but knows it would not make the scene he wants to see.  the Spectre and the Angel, representative, would kick his body out of their way and wait for someone else to clean it up.

March 29 - old coast


Courage is a old seashell.
Beaten into a sandy shore
unencumbered by its own desires
but staying steady.

Rise calmly like a old sun,
Never desire a gull to call your name

March 28 - In the City


The grimy hood calmly fights the driver.
Action, exhaustion, and work.
Walk calmly like a jackhammer.
Find your way through the mess of people.
Men and women shop.
Why stop for one another?

Monday, October 8, 2012

March 27 - Appreciate the Silence

Do we appreciate the silence of a blank page?  The noteless lines, and what opportunities they present?


































No.  We must fill them with that colorful noise of penmanship we call writing; forever to hurried to engage with the question:  must we destroy a multitude of potential messages to write this banality down?

March 26 - Filling in the Blanks

When I began this process, I started by making as many pages as I could before Google accused me of being a robot.  Titles blank but for the date their posts would symbolically represent.  In January, I could not say what I might post in March.  Now that it is October, I still cannot say what I will post on certain days in March.
I unearthed something old and new, borrowed and blue (to end this grand task I may as well mary my damn blog, which I will soon be able to do if marriage equality detractors are capable of any kind of prescience).  I am a fill in the blank writer, working for no reason but my own to mar a perfectly good blank page.

March 25 - Falling

I do not fall.
I have never fallen,

I simply pitch myself toward the center,
Where Dante says the Devil lives furthest from God's Graces,
Toward Pandemonium.

It is intentional.
Therefore I do not fall.

March 24 - Caryatid

Caryatid girl who insists on bearing the lintels of other peoples broken homes, step down step down.

Or so I'd like to call

But you do not caryatid yourself.
You cut off your hair long ago in a misguided attack on your femininity that came in the wake of your older brother growing his hair out out of neglect and overdosing on self-hatred and academia.
You bear your stone.  But Athens does not want you.  Georgia sends you away.

March 23 - Untitled, Road Trip

The sign told us: When Fog on Mountain, Be Alert and Drive Slowly.  We whipped past it.  You were not aware of the sign
      - Reading while I'm driving makes me sick.
Well fine.  I'll do the reading for both of us.  There wasn't a comma on the sign.  I added it for you because commas drive you nuts.  Not when they're misused but when they're used at all.  You speak at a pauseless clip.  You only use the period (which I'll admit deserves some love as a sign of punctuation anyway) and God Forbid a comma appear in your way.  Some grammarian must have traumatized you in grade school.  I have never seen you so angry at Word as when it insists on adding one.  Even Clippy is a more welcome sight than the green squiggle that alerts you to a mistake of usage.
But this is the kind of sign you would have heeded.  This sign without punctuation should appear a welcome sight after three hours on the road which is too much for you.  But since you care so little for our saftey, I think it best that it be the kind of sign that does you in.

March 22 - Confessional

I wrote this for a writing competition.  It was not selected to continue.  I therefore post it here.

FEMALE VOICE:  should be very even.  No matter what she says, she should maintain the same calm, soft tone.
MALE VOICE:  the man in the room. 
ANNA - girlfriend of MAN

Confessional  

[Int.  Dark Room]

We hear a steady beating similar to a heartbeat.

FEMALE VOICE:
You find yourself in a room.

Beat continues.

MALE VOICE:
[Groan]

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
[Groan]

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Ok!  I get it!  I find myself in a room.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Ok.  I’m in a room.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
I’M IN A ROOM! I CAN SEE THAT!  What do you want me to do about it?

FEMALE VOICE:
The room is programed to respond to many human generated commands.  Try something.

We hear the sounds of MAN fighting against something.  Feet scuffle, he grunts.

MALE VOICE:
Release bonds?

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Turn on light?

Click.  Beat becomes softer.

MALE VOICE:
Can you tell me what I can do?

FEMALE VOICE:
This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Move?

Sounds of something moving along a track. Sound stops.

MALE VOICE:
Look at bed?

Sounds of something moving along a track.  Sound stops.

MALE VOICE:
It’s a bed.  Can you tell me why I’m strapped down like this?

FEMALE VOICE:
No.

MALE VOICE:
Can you tell me what I’m supposed to be doing?

FEMALE VOICE:
Leaving.

MALE VOICE:
My goal is to get out of here?

FEMALE VOICE:
Yes.

MALE VOICE:
So release me.

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
Can I ask you questions?

FEMALE VOICE:
The room cannot guarantee answers.

MALE VOICE:
Fantastic.  Why is there a bed?

FEMALE VOICE:
For you to look at.

MALE VOICE:
That’s it?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
Does anything in this room have a purpose?

FEMALE VOICE:
The room and surroundings are here for your exploration.  Your goal is to escape.

MALE VOICE:
Escape?  You said leave before.

FEMALE VOICE:
The room and surroundings are here for your exploration.  Your goal is to escape.

MALE VOICE:
Ok.  Explore bed.

Fabric rustles and we hear gears turning.  Beat stops abruptly.  A phone rings and is answered.

ANNA:
I’ve had enough of this!

MALE VOICE:
Wait this is what “explore” does?

ANNA:
Either you commit or you end this.  You come home late, you don’t tell me where you go, you disappear for days, you lie…

MALE VOICE [interrupting]:
 What happened to her wasn’t my fault!

ANNA:
Fine, fine.  Leave me hanging.  Don’t…

MALE VOICE [interrupting]:
End this!

Beat resumes where it left off.

MALE VOICE:
She killed herself. I had nothing to do with that!

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Are you trying to punish me?

FEMALE VOICE:
Do you need punishing?

MALE VOICE:
I had nothing to do with her death.

FEMALE VOICE:
Really?

MALE VOICE:
I mean I don’t know.  I didn’t pull the trigger.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Way to change the subject.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
I’m not looking at the bed again.

FEMALE VOICE:
You find yourself in a room.

MALE VOICE:
Do I have to explore?

FEMALE VOICE:
You have to escape.

MALE VOICE:
Find exit.

FEMALE VOICE:
Command not recognized.  This room is programed to respond to many human generated commands.  Try something.

MALE VOICE:
I suppose it wouldn’t be that easy.  Fine [pause].  Look at chest.

Sounds of something moving along a track.  Sound stops.

MALE VOICE:
Explore chest.

FEMALE VOICE:
Chest cannot be opened.  It is locked.

MALE VOICE:
How do you open the chest?

FEMALE VOICE:
How do you open a chest?

MALE VOICE:
Shit, I don’t know; I don’t try to open chests very often. What do I need?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
What are the contents of this room?

FEMALE VOICE:
In this room are a chest, a bed, a lock, blankets, a doll, and a key.

MALE VOICE:
Where is the key?

FEMALE VOICE:
Question not recognized.  This room is programed to respond to many human generated queries.  Try something.

MALE VOICE:
Look at bed?

Sounds of something moving along a track.  Sound stops.

FEMALE VOICE:
You are looking at the bed.

MALE VOICE:
I don’t see a key.
[Pause]
Look under bed?

Thunk.

MALE VOICE [cont.]
[grunt]
Key!  Uh… take key.

Sound of something metallic sliding across the floor.

MALE VOICE [cont.]:
Unlock chest?

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
What do you mean?

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
Has anyone ever told you how frustrating you are?

FEMALE VOICE:
Many.

MALE VOICE:
Wait, many?  How many?

FEMALE VOICE:
This program has been running for 420,030,360.534460 minutes.

MALE VOICE:
Holy crap.

FEMALE VOICE:
Are you going to do something with that key?

MALE VOICE:
I tried “Unlock Chest” but you said that wasn’t permitted.

FEMALE VOICE:
Function not permitted at this time.

MALE VOICE:
Take me to the Chest!

Sounds of something moving along a track.  Sounds stop.

MALE VOICE [cont.]:
Oh.  [pause] Open chest?

Lock opens with a heavy clunk.

FEMALE VOICE:
The chest is open.

MALE VOICE:
Thanks.  What now?

FEMALE VOICE:
Question not recognized.  This room is programed to –

MALE VOICE:
I GET IT!  [Pause]  What’s in the chest?

FEMALE VOICE:
Blankets.

MALE VOICE:
Explore chest?

Rain lashes a window.

MALE VOICE:
Where am I?

A woman cries.

MALE VOICE:
Anna?

FEMALE VOICE:
[Sniffling]
Steven?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
Of course I am. 

MALE VOICE:
You’re not.  You’re that computer.

FEMALE VOICE:
Are we that different?  To you?

MALE VOICE:
I told you already, I had nothing to do with her suicide.

FEMALE VOICE:
Nothing?  Nothing at all?

MALE VOICE:
You’re not Anna and you’re not God. I don’t have to defend myself to you.

FEMALE VOICE:
Are you sure?

MALE VOICE:
You’re not God, are you?

FEMALE VOICE:
How would you distinguish?

MALE VOICE:
This is silly; I’m going to find the door.

FEMALE VOICE:
Are you?

MALE VOICE:
Yes.

We hear a man walking on a wood floor.  These steps slow and morph into the sounds of wheels moving along tracks.

MALE VOICE [cont.]:
What are you doing to me?

FEMALE VOICE:
Answer the question.

MALE VOICE:
What question?

The heartbeat picks up again.  It should increase in intensity throughout the next exchange.

FEMALE VOICE:
Why are you here?

MALE VOICE:
You tell me!  I have no idea why I’m here!

FEMALE VOICE:
Really?

MALE VOICE:
Really!  Anna shot herself.  I had nothing to do with that.

FEMALE VOICE:
Then how do you know what the weather was like?  Why do you have a memory of being with her that night?  Why do you know what the key looks like?

MALE VOICE:
What key!

FEMALE VOICE:
Look around the room, Steven.  This room is familiar to you.  Right down to the doll.

MALE VOICE:
What doll?

FEMALE VOICE:
Question not recognized -

MALE VOICE
Of course the question is recognized! We’re having a fucking conversation!  You can understand me. [Pause, heavy breathing]  Look at doll!

Sounds of something rotating on a track.

MALE VOICE [cont.]:
Oh god.

FEMALE VOICE:
You find yourself in a room.  Your goal is to escape.  Proceed.

MALE VOICE:
How did you make a doll to look like her?

FEMALE VOICE:
[slightly louder]
Proceed

MALE VOICE:
With the hair… and the…

FEMALE VOICE:
[Slightly louder]
Proceed.

MALE VOICE:
… The gun… and…

FEMALE VOICE:
[Slightly louder]
Proceed.

MALE VOICE:
The blood.

FEMALE VOICE:
[Loudest]
PROCEED.

MALE VOICE:
I’m not sorry.  I didn’t do anything.  I didn’t pull the trigger!

FEMALE VOICE:
You didn’t.

MALE VOICE:
No.

FEMALE VOICE:
It’s funny how the human brain tricks itself. You played the game in exactly the same way.

MALE VOICE:
What do you mean?

FEMALE VOICE:
You took her to the bed first, didn’t you?

MALE VOICE:
What are you saying?

FEMALE VOICE:
That’s how you solve your problems Steven.  You know that.  You take her to the bed first.  Then you find the key.  You knew exactly where to look, didn’t you?  Then you unlock the chest.  You explore.  What do you find?  A woman. Terrified.  What do you do?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
How do you know that?

MALE VOICE:
You’re not Anna.

FEMALE VOICE:
You leave.  You left me.

MALE VOICE:
You are not Anna.

FEMALE VOICE:
With a gun in my hand.

MALE VOICE:
I didn’t.

FEMALE VOICE:
You did.  You left me alone.  You put the gun in my hand.  You did.

MALE VOICE:
I didn’t pull the trigger.

FEMALE VOICE:
Where are you?

MALE VOICE:
I’m in a room.

FEMALE VOICE:
Are you?

A chest rattles on the ground.  The MAN is inside.

MALE VOICE:
What have you done?

FEMALE VOICE:
Nothing.  Nothing at all.  You however, have turned on the tap.

The sound of water rushing.

MALE VOICE:
How?

FEMALE VOICE:
It’s not my fault there’s a very sensitive button behind this chest.  Your rocking triggered it.

MALE VOICE:
No, you are complicit in this!

FEMALE VOICE:
I didn’t do anything.  You pulled the trigger on yourself.  Just like Anna.

MALE VOICE:
Help!  Help! Hel-

The last line is garbled. 
The heartbeat flat lines.

[END]